Compound Clips make it simple to manage with a complicated composition without going quietly insane. You can adjust it, move it and apply effects as if it were a single unit, and then un-merge it anytime you like. In fact, an ingenious feature called Compound Clips lets you collapse a stack of audio and video clips into a single, merged filmstrip on the timeline. Primary audio and video are always synced, and you can even lock other clips together so that they all move as one. But in the new Final Cut, “sync is holy,” as Apple puts it. Second, in the old Final Cut, it was all too easy to drag the audio and video of a clip out of sync accidentally little “-1” or “+10” indicators, showing how many frames off you were, were a chronic headache. You cannot, however, organize your files or delete clips during rendering. Final Cut X renders in the background, so you can keep right on editing. Once you’re past the shock of the new layout, the first thing you’ll notice is that Apple has left most of the old Final Cut’s greatest annoyances on the cutting-room floor.įirst - and this is huge - there’s no more waiting to “render.” You no longer sit there, dead in the water, while the software computes the changes, locking up the program in the meantime, every time you add an effect or insert a piece of video that’s in a different format. In fact, it looks and works a lot like iMovie, all dark gray, with “skimming” available you run your cursor over a clip without pressing the mouse button to play it. The new Final Cut has been radically redesigned. You can’t change the settings of your exported QuickTime movies without the $50 Compressor program. You can use a second computer monitor, but you need new TV-output drivers to attach an external video monitor. They say the new program is missing high-end features like the ability to edit multiple camera angles, to export to tape, to burn anything more than rudimentary DVDs and to work with EDL, XML and OMF files (used to exchange projects with other programs). Some professional editors are already insisting that Apple has made exactly the same mistake with Final Cut X they pointed out various flaws with the program after an earlier version of this column was posted online on Wednesday. Didn’t Apple kill off iMovie, too, in 2008, and replace it with an all-new, less capable version that lacked dozens of important features? It took three years of upgrades before the new iMovie finally surpassed its predecessor in features and coherence. N.A.B.Apple veterans may, at this point, be feeling some creepy déjà vu.Final Cut Pro 1.0/ 1.2.5 (archived / ).Final Cut Server, server-based backend for managing Final Cut Studio projects.Final Cut Studio, a software suite which included Compressor, Motion, and Soundtrack Pro.↑ Apple Offers Premiere Users Easy Switch to Final Cut Pro, Apple Computer.↑ Adobe Premiere Pro system requirements, Adobe Systems.↑ Apple’s Final Cut Pro Wins Emmy Award, Apple.↑ Adobe asked Apple to shut down Final Cut by Peter Wiggins, FCP.↑ 1.0 1.1 1.2 How Final Cut Ended up at Apple: an Excerpt from John Buck's 'Timeline: a History of Editing' by Ryan Koo, No Film School.Ī completely redesigned 64-bit version, Final Cut Pro X, was introduced by Apple in June 2011, with the last version of the legacy Final Cut Pro being version 7.0.3. Apple at the time offered Premiere owners $500 discounts on upgrades to Final Cut Pro 4 HD or a free trade-in for the consumer version, Final Cut Express. Adobe briefly abandoned development of Premiere for the Mac and released Adobe Premiere Pro 1.0 in August 2003 for Windows only. It was later bundled with other production apps in a suite called Final Cut Studio.įinal Cut Pro won a 2002 Primetime Emmy Engineering Award from the Academy of Television Arts & Sciences on Augfor its impact on the television industry. It was released as Final Cut Pro in April 1999. However, Jobs made a case that Final Cut was different than Premiere and would be beneficial to the overall desktop computer market. Adobe then met with Apple's management, seeking to shut down the Final Cut project. In response, Apple acquired Final Cut's source code and its development team in May 1998. However, as Apple had been financially struggling at the time, Adobe declined and focused Premiere on the Windows platform. Jobs had also asked Adobe Systems to provide a consumer version of Premiere that could be bundled with the upcoming iMac DV, code named Kihei. Acquisition by Apple ComputerĪpple's interim CEO Steve Jobs expressed interest in the Final Cut project after it had been shown at the 1998 NAB Show. The original 18-month plan took about 3 years before Final Cut was demonstrated at the NAB Show in April 1998. In 1995, a Macromedia board member approached Adobe Premiere engineer Randy Ubillos with a plan to develop a new video program, code named Key Grip, for faster computers.
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